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journal article The Logic of Soviet Cultural DiplomacyDiplomatic History Vol. 27, No. 2 (April 2003) , pp. 193-214 (22 pages) Published By: Oxford University Press https://www.jstor.org/stable/24914263 Read and download Log in through your school or library Alternate access options For independent researchers Read Online Read 100 articles/month free Subscribe to JPASS Unlimited reading + 10 downloads Purchase article $39.00 - Download now and later Journal Information Diplomatic History is the official journal of Society for Historians of American Foreign Relations (SHAFR). The journal appeals to readers from a wide variety of disciplines, including American studies, international economics, American history, national security studies, and Latin-American, Asian, African, European, and Middle Eastern studies. Publisher Information Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. OUP is the world's largest university press with the widest global presence. It currently publishes more than 6,000 new publications a year, has offices in around fifty countries, and employs more than 5,500 people worldwide. It has become familiar to millions through a diverse publishing program that includes scholarly works in all academic disciplines, bibles, music, school and college textbooks, business books, dictionaries and reference books, and academic journals. Rights & Usage This item is part of a JSTOR Collection. Nội dung chính
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How did the Cold War affect the meanings of American freedom?How did the Cold War affect the meanings of American freedom? Certain elements of society were elevated to central roles in the idea of freedom, particularly what came to be called "free enterprise." Free enterprise, capitalism, and market economics became essential to the idea of freedom.
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How did nonpolitical artists in the United States become weapons in the cultural Cold War correct answer s?
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